I've got some light and dark cinema to recommend, four films actually. There's
The Holiday--that would be the extreme end of light on our light-to-dark spectrum today--,
We Are Marshall,
Children of Men, and
The Good Shepherd--this last one being the darkest of the set. With so many movies (and all fading or gone from theaters) I'll keep my comments short...
The Holiday - classic romance formula: gorgeous people (oh Jude, oh Kate) in gorgeous or adorably quaint places experiencing unpainful problems, but we the audience are compelled to root for them to get together. Need I tell you how it ends? Perfect for those seeking an uncomplicated, stereotypical romance. Likely painful for all others.
We Are Marshall - admittedly a movie with highly local (Huntington, WV) appeal, this story of a college football team and town decimated by a plane crash in 1970 and the community's efforts to go on with life has the classic rise from the ashes feel, with both hopeless and hopeful strugglers among those portrayed. Heartfelt story telling about unprecedented real life events; recommended to sports fans and those in need of some catharsis.
Children of Men - based on a PD James novel of same name, this is a bleak view of a sterile world. A civil servant in London renews old activist contacts as he gets embroiled in an escape plan for an illegal immigrant (a "fugee") pregnant with the first child to be born on Earth in 18 years. Imagine the desolation that might go with no pregnancy, children, or hope of a sustained future and you will be in right frame of mind for this movie. Intriguing premise, events not so implausible, sympathetic characters (Michael Caine is a highlight); recommended to thoughtful adults with tolerance for darkness and violence.
The Good Shepherd - my view of the movie is colored by knowledge that story is a fictionalized account of a man (Angleton) whose life may have made for an even more interesting movie. Still Matt Damon is good as a quiet Yale grad who dedicates his entire adult life to intrigue and the nascent CIA. Told in flashbacks and during aftermath of Bay of Pigs (1961), the movie succeeds when it focuses on spy stories and suspense. Personal plot is sad but underdeveloped (I didn't care enough that wife and son were home alone). Felt slow in many parts, but an interesting story; recommended for spy story fans.